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Published in:November-December issue.

 

WAKEFIELD POOLE (b. ) is an painter and innovator whose serve deserves to be taken seriously for its contribution to gay culture and to culture in general. Like many creative people, Poole did not stick to just one medium, but because he became known as a maker of gay adult movies, he has been forever pigeonholed as a clip pornographer.

         He sang as a child, danced for the Ballets Russes in the late ’50s, became a choreographer on Broadway, then started experimenting with film in the late ’60s, just in time for gay liberation. By switching his talents to making adult same-sex attracted movies—a very risky thing to do in —Poole created what is arguably the first commercial production in this genre, namely Boys in the Sand, which was the first gay porno to be reviewed in Variety magazine and the first to achieve box-office success. Poole would go on to produce a number of other movies, notably Bijou (), Wakefield Poole’s Bible (), and Take One (), which are discussed at length below.

         Wakefield Poole’s autobiography, Dirty P

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The Power of &#;Yes&#;: A Wakefield Poole Remembrance

By Andrew Repasky McElhinney.

Poole&#;s life covers an enviable (at least in retrospect, at least to me) span of the post-WWII 20th century America&#;. [with] one of the first positive representations of Gay animation and Gay sex in the U.S., and a talisman for the then emerging Pride movement.&#;

I never met Wakefield Poole, who died October 27, at age 85, and I came overdue to his movies. My acquaintance and collaborator, James Hollenbaugh, pulled my coat to Jim Tushinski&#;s splendid documentary, I Always Said Yes: The Many Lives of Wakefield Poole, as it slap the festivals back in

Poole&#;s life covers an enviable (at least in retrospect, at least to me) span of the post-WWII 20th century in America. He intersects with icons love Andy Warhol, John Dexter, Stephen Sondheim, Marvin Shulman, Georgina Spelvin, and their fascinating cultural splinters of three of my favorite things: the Underground, Broadway, and dirty movies. Poole is peripherally involved with legendary flop mainstream musicals like Do I Overhear a Waltz? Dear